Big Tree-Little Shade, The House of Oud Cypress Shade

On the hottest Summer days when temperatures are so high that they’re almost impossible to stand, even a small shaded spot can bring a relief. Over the years of smelling different fragrances I found a couple of them that are just like a bit of shade – they make you feel more at ease when it’s hot. Green Water, Cedrat Enivrant, Le Jardin de Monsieur Li, Nuda Veritas are just a few examples from a longer list. And then there’s Cypress Shade from The House of Oud. I could sample this perfume because the brand just appeared in Poland but does the perfume live up to its promise?

Cypress Shade supposedly starts with a fan of citrus notes like lemon, bergamot & mandarin but to be honest with you – they don’t smell like themselves at all. Juicy, sparkling and full of vitality notes are absent on my skin. There’s only a very faint hint of something sour and acidic before the perfume turns more spicy, when star anise appears. The latter one raises the temperature of the composition and it’s a relatively dry spiciness. It’s a shame that citrus part was impossible to smell for me as I imagine it could’ve been a nice one. The perfume evolves rather quickly in my case.


Soon after star anise appears Cypress Shade becomes significantly more dusty and green. It’s because of the petitgrain and coriander that it becomes more verdant, sappy and dusted. In fact it smells exceedingly close to the scent profile of a fig leaf – green, milky, dusty and warm. There’s a glimpse of mimosa in this perfume that appears in form of a powdery yellow pollen scent that lasts for a few minutes at maximum. Fresh minty smell was also gone in a flash. The drydown is a combination of woody and grassy notes of cedar, vetiver (with coumarin over it) and oud wood.

Cypress Shade by The House of Oud is one of those perfumes that goes straight into the point. Its development on my skin consumes maybe 30 minutes until the perfume arrives at its fully developed form. Afterwards it remains linear and I can’t detect any changes that would stand out. Cypress Shade had predispositions be an interesting green-spicy scent for warm months but I feel a bit disappointed by it. With this price tag you’d expect something better and longer-lasting (4-5 hours for me). Ingredient quality seems fine but it doesn’t reflect in the perfume. I refuse to pay for a fragrance that doesn’t satisfy me. A one of a kind Easter-egg-like bottle is much less important for me.

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Going Places, Les Eaux de Chanel

Do you like to travel as much as I do? If your answer was affirmative I have another question. As people for whom scent is an important part of life, do you pay attention to the smells of places you’re visiting for the first time? Personally I do, it’s like creating a map of olfactive memories of different places. This idea of an invisible scent ‘fingerprint’ inspired Chanel in-house perfumer Olivier Polge to create a collection of fragrances inspired by places that were dear to Gabrielle Chanel’s heart.


Paris-Deauville initial impression is like submerging in a giant pool surrounded by orange-colored tiles. A very juicy and aromatic orange note appears first and thanks to it sweet & juicy scent it instantly makes me crave a citrus fruit. It’s absolutely mouth-watering and refreshing. Lime and lemon create a more sour contrast so that the perfume doesn’t feel like a toothache-inducing dollop. All that is followed by a blurry cloud of green notes out of which petitgrain with its dusty, crispy scent takes a lead for a moment. After a few minutes a new green leader appears, adding a fantastic twist to the scent.

The note that I’m talking about is basil. Its green and aromatic freshness instantly warms up the aura of Paris-Deauville. Blend of orange and basil feels truly summery and it’s also really versatile – suitable for men and women for many different occasions. Over time this Chanel reveals light white floral accord of delicate jasmine. It’s rather transparent and dewy. Followed by a whisper of rose and bright hedione this perfume wears just as easy as a white linen shirt on a hot day.


On the other hand Paris-Venise reveals a dense & richly scented neroli trail but it quickly becomes more airy and spacious, turning into rather ethereal veil. As for neroli it felt surprisingly warm and this warmth continues through other notes. Tonka bean introduces a whole lot of aromatic facets. As they entwine they smell creamy, slightly spicy and a bit sweet too. And then vanilla enters – it’s adding an elegant sweetness that feels plushy, cosy and refined. Luckily it doesn’t feel sticky or cloying. Actually a bit of time later the perfume turns more dry and a lovely powdery facet is revealed.

The powdery scent comes from iris – it smells a little bit creamy & buttery too but its powdery facet is dominating, giving Paris-Venise a more cosmetic character. In the background of the scent violet flower gives off a slightly candied aroma. Musky notes are closer to white musk here being relatively clean and fluffy, like a delicious meringue or a macaron. Benzoin adds a final touch or caramel-like balsamic notes. It’s a really elegant composition to be worn year-round. It’s a personal favorite.


I have to admit that Paris-Biarritz was the one I cared for the least. The opening was a straightforward lemon of a more screechy kind. After a few minutes grapefruit joined the composition and it’s actually a pretty nice, realistic grapefruit. It adds a nice zestiness with a bit of albedo scent too. After around 15 minutes tangerine appears and quickly climbs up to claim the throne. From that moment it will become a leading note – a gentle citrus that is not too sweet, not too juicy. Thanks to it the fragrance feels milder and more pretty. Up to this point it was a nice citrus oriented creation.

But as the saying goes – you shouldn’t praise the day before the sunset, Paris-Biarritz goes into a floral direction with a lily of the valley accord. For a person who likes muguet this would be a great choice as it’s dewy & grassy and quite naturally-smelling (muguet is one of the essences that cannot be extracted from real flower). Neroli adds a bit of orange-tinted tonalties of white flowers and musky elements are rather inoffensive. In my opinion this one is least original among Les Eaux.


After spending a couple of days with Paris-Deauville, Paris-Venise and Paris-Biarritz I can say that all 3 are pretty well made. They are relatively light & airy, with less complex build of notes. All of them are unisex in my opinion & they can suit a perfume lover of any age, although it’s quite clear that they are aimed at a younger audience. Les Eaux de Chanel are eau de toilettes and come in 125 ml flacon that has been refreshed by making the bottle more flat and with rounded sides, comparing to Les Exclusifs range. Their longevity and sillage could be a bit better if you ask me.

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